木心 一九二七年生，原籍中國浙江，上海美術專科學校畢業。 一九八二年來美國，定居紐約。 著作 散文集：瓊美卡隨想錄 散文一集 即興判斷 素履之往 馬拉格計畫 存在與消失 魚麗之宴 詩集：西班牙三棵樹 巴瓏 我紛紛的情欲 會吾中 雪句 小說集：溫莎墓園 侍古集 The Windsor Cemetery Diary

你在愛了╱我怎會不知╱這點點愛╱只能逗引我╱不足飽飫我╱先得將爾乳之╱將爾酪，將爾酥╱生酥而熟酥╱熟酥而至醍醐╱我才甘心由你灌頂╱如果你止於酪╱即使你至酥而止於酥╱請回去吧╱這裡肅靜無事──〈醍醐〉 你是，啊，一架╱稀世珍貴的金琴╱無數美妙的樂曲╱彈奏過，我曾╱你如花的青春╱我似水的柔情╱我倆合而為神╱生活是一種飛行╱四季是愛的襯景╱肉體是一部聖經──摘自〈肉體是一部聖經〉 《我紛紛的情欲》收錄一百多首詩作，木心將情欲的本質、美好與從容，不露聲色地散落在詩集的各個篇章和角落。他的漫不經心、閒談式的詩句，看起來淺，實則淺而不薄，淺得讓人細細回味。他隱藏情感的變化、形式，與音樂的統一與和諧，以及矛盾與悲情到徹悟的轉化。木心具有東方人的思維傳統，他總用東方人含而不露的視角去表達自己不具侵略性的感受。從這個角度而言，他的詩歌具有典型東方特質的美感和文字。他的...(展开全部)

Japanese photographer and visual artist Murata creates highly detailed photographic stagings which evocatively depict nude models as though they were characters in an erotic fairytale. His enchanting models blithely shed their clothing and reveal their gorgeous nude bodies. What Murata strives to illustrate with these young girls is the image of the hime: an ancient Japanese wo...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

The Epicureans, Skeptics, and Stoics practiced philosophy not as a detached intellectual discipline, but as a worldly art of grappling with issues of daily and urgent human significance: the fear of death, love and sexuality, anger and aggression. Like medicine, philosophy to them was a rigorous science aimed both at understanding and at producing the flourishing of human life....(展开全部)

David Kepesh, an adventurous man of intelligence and feeling, tries to make his way to both pleasure and dignity through a world of sensual possibilities. Temptation comes to him in both its ordinary and spectacular forms, and the novel charts the history of his desire from the early years, when he is acceded to it totally, to the time when he attempts to domesticate his passio...(展开全部)

As a student in college, David Kepesh styles himself "a rake among scholars, a scholar among rakes." Little does he realize how prophetic this motto will be—or how damning. For as Philip Roth follows Kepesh from the domesticity of childhood into the vast wilderness of erotic possibility, from a ménage à trois in London to the throes of loneliness in New York, he creates a supre...(展开全部)

-作者简介- 琼•柯普洁（Joan Copjec），布朗大学现代文化与媒体专业教授，重要的精神分析杂志《Umbr(a)》的创办人。她也是多部著作的作者和编者，包括《想象并无女人：伦理与升华》（Imagine There’s No Woman: Ethics and Sublimation）、《假定主体》（Supposing the Subject）等。她最新的研究方向为阿巴斯•基亚罗斯塔米的电影与中世纪伊斯兰哲学。 -译者简介- 王若千，曾在伦敦大学金匠学院和北京电影学院求学，关注左翼政治、艺术史和精神分析。

-作者简介- 琼•柯普洁（Joan Copjec），布朗大学现代文化与媒体专业教授，重要的精神分析杂志《Umbr(a)》的创办人。她也是多部著作的作者和编者，包括《想象并无女人：伦理与升华》（Imagine There’s No Woman: Ethics and Sublimation）、《假定主体》（Supposing the Subject）等。她最新的研究方向为阿巴斯•基亚罗斯塔米的电影与中世纪伊斯兰哲学。 -译者简介- 王若千，曾在伦敦大学金匠学院和北京电影学院求学，关注左翼政治、艺术史和精神分析。

In Read My Desire, Joan Copjec stages a confrontation between the theories of Jacques Lacan and those of Michel Foucault, protagonists of two powerful modern disciplines—psychoanalysis and historicism. Ordinarily, these modes of thinking only cross paths long enough for historicists to charge psychoanalysis with an indifference to history, but here psychoanalysis, via Lacan, go...(展开全部)